i stir my coffee slowly
clockwise and then anti-clockwise.
a newspaper sits on the table like stale crackers
moist from the humid air,
a drop of sweat
hanging precariously
from the tip of my nose
collapses;
suddenly giving up
………..its will
descending below -
to rest upon
an empty page of a diary
dated September 29.
I love this song…
Where has that old friend gone
Lost in a February song
Tell him it won’t be long
Til he opens his eyes, opens his eyes
Where is that simple day
Before colors broke into shades
And how did I ever fade
Into this life, into this life
And I never want to let you down
Forgive me if I slip away
When all that I’ve known is lost and found
I promise you I, I’ll come back to you one day
Morning is waking up
And sometimes it’s more than just enough
When all that you need to love
Is in front of your eyes
It’s in front of your eyes
And I never want to let you down
Forgive me if I slip away
Sometimes it’s hard to find the ground
Cause I keep on falling as I try to get away
From this crazy world
And I never want to let you down
Forgive me if I slip away
When all that I’ve known is lost and found
I promise you I, I’ll come back to you one day
Where has that old friend gone
Lost in a February song
Tell him it won’t be long
Til he opens his eyes
Opens his eyes..
they try to break the mold.
I read Charles Bukowski’s Factotum today. It’s a short little book (which works for me) since I am always running low on time or my attention span is limited to the level of interest which a particular prose style can sustain.
If you haven’t yet picked out your copy, here’s your chance. He’s easy to read.

Merriam-Webster
Pronunciation: \fak-ˈtō-təm\
Function: noun
Etymology: New Latin, literally, do everything, from Latin fac (imperative of facere do) + totum everything
Date: 1566
1 : a person having many diverse activities or responsibilities
2 : a general servant
the monster collects his debt
he wears a different costume
and a mask to conceal his ugliness,
the monster visits unannounced
he has a limp when he walks,
and a vague stench of inconsiderate
resentment rises from the ground,
but his royal ugliness must accompany
every house,
dawn to daybreak
from the little penniless orphan
to the rich man’s quarters
he knows his way around.
the monster must have his pay
to settle the accounts.
–
mother thou art perfidious and unwise
and father doth a husband play
his role in a doll-house
this is my plastic life.
“mother” i ask her every time,
“have i done this right,”
she nods, and nods,
but never replies,
i must be like a wall
on the fly,
white smokescreen jammed
between a hornet’s nest.
i turn back to watch the clouds
form funny shapes, a dolphin,
a man with a big nose
or a long necked woman
with a turban on her head
fading or at times becoming intense
while the wind sketches it’s lies.
i do not know
but i often think
how people talk of big things,
but you can see they do not know
where they are going with it,
they have learned to love the music
of their own speech;
harsh, soft, familiar,
misty, remorseful,
different keys of the same
miserable piano,
the subtle indent in the pause,
or the long interminable stretch where
the audience loses patience
sweat clouds the brow
suddenly beaten together by the falsetto
and the dubious expression,
somewhere in the midst of this dramatic
presentation,
there is a slight faltering
of their inane programmed system
that joyfully validates my point;
the silly silly mistake
of earning a living,
pretending to imitate the second
man on the street,
the whorish depletion
of individuality –
the inferno
revived.
nay, the bird is not a prey
if your eyes can concentrate
along the raspy willowy
unformed branches
of an unbent tree
too tired with age,
or if her feet unbuckle
from the twitch of reason
underneath the curvature of
a sheer black skirt encircling
the motion of earth,
she would turn around and laugh
the sudden sway of her hip
disturbing the momentum
of an ever so still mid-afternoon sojourn,
nay, the bird is a falcon
as it perches on an elevation
and hunts for its prey
in the seven steps and sudden leaps
on seven stones for seven leaves.
ok. so i didn’t have to format my computer because there are actually nice people on the cyber world who have the generosity to put up tech support forums and help random strangers for free. i am going to write this blog in lower-case and pretend i am e.e. cummings voicing my musings (heh those -ings rhyme). anyway the moral is – shit can be fixed.
let me count on my fingers and toes, the good things that come for free (yeah we need to remember them in these moments of economic crisis).
how about smiling when nice thoughts cross your mind, loving (the one or two people who can actually manage to get through all that debris of what you are not), helping without any selfish intent, appreciating something because it just is, cleaning the loo (no one pays you for that), cooking? oui, making love (unless you’re a hooker or a manwhore), dancing to your favorite music when your family is out, singing in the shower because there’s that nice echo+privacy, playing with soap suds, a pleasant breeze (you don’t have to swipe a credit card then click on the nature-send-some-refreshing-air-this-way button), walking past two lesbians holding each other in a close embrace (that you think, oh God! there is so much love in the world that it transcends gender),
…ok and many more.
obviously i am not out to create an encyclopedia of such examples.
but you get the idea.
It’s 4 am, I’m a little buzzed and all I want to do is write some before I crash in bed. There’s no better foreplay to sleep than a downright honest rant (like a confession, except our lives are so absurd that a confession at 4 am would sound false and exaggerated by noon). No wonder they say the past is gone, the future unknown, and all you got is the present which simlutaneous to its being lived – disappears or embellishes itself. All that we are left with are interpretations. That makes us the translators of our lives. And if your vocabulary sucks or you’re not good at re-interpreting, which is a downer because the lack of expression will render you incapable of delivering to others what mattered and moved you, you will most likely end up an unknown, a loser, a bum, unable to do any good to the world that ’shat’ you out in its polluted maggoty sphere.
Ok so I am on bum status currently. Because I sleep at odd hours, prefer tasteless food, possess zero desire to go out and impress people, find myself a little incapable of taking orders for the sake of authority when it doesn’t make any sense, wonder where exactly superficiality ends because I see people lying constantly to each other and themselves about what they want and how they pursue the contrary, because I want to live as I feel (each moment as I go my way) and not be a LIE. ALso because I am a little slow (earthworm?) tending to process and think what people say to me, why they say it, and how I can respond best unlike an automated machine.
Alright. So life is random. strange. meaningless. a little fucked up. twisted. mean. It does not have a beginging and obviously no end. However I have a begining, I know what fucks me up, makes me mean, strange, meaningless and random. Thus upon the palm of immortality, the human soul breathes, subsists on nothingness, yet shackled and imprisoned by the merciless demands of Time, often chokes, sputters, and cries. Dillusioned that the end is near.
The American electoral race climaxed today evening with Barack Obama becoming the 44th President of the United States, enthusing and overwhelming the almost teary crowd. The first thought that crossed my mind was, alright – so no more wars. And maybe no more Iran. Hopefully bye bye to the Iraq issue too. I mean since when did America become the international janitor to be cleaning other people’s messes? Saddam is dead, if you think he’s going to come back from his grave, and cause another spectacle, then you have cause not to pull out your troops, but now after he’s pretty much decomposed and dissolved into the bowels of the earth, and surprise surprise there were never any nukes (concealed or on display) why then must the government retain control of a foreign territory? Unless America has suddenly become an imperialist nation and taking after the Brits, has this irresistable urge to go on destorying and possessing lands, to ‘woohoo’ revel over the superiority of its power.
No reasonable cause justifies the American citizens to allow their people to be butchered in wars because that is a responsibility of the Governments of those nations to deal with their own shit. Their shit and American shit is different. Each country has a cultural identity that entails satisfying and living up to the standards and ideals of its citizens. To stand up and shout out suggestions or intervene with solutions that are likely to never work on another territory is pure stupidity, because ideas don’t always translate well beyond our national borders. If you think living in America and discussing politics and peace plans will actually bring those ideas to reality overseas, it will not. Period. You are in denial if you think otherwise. Ok, lets not discount the minor possibilites, believing ideas conceived ‘here’ will work ‘there’ then be prepared to face the obvious antagonism of the local civilans of those nations.
Try imagining the Germans, coming over with ideas to improve the American economy, or pretty much any random issue, would that not rile the public? Piss you off? No? Indeed it would. Would you not feel trespassed? Insecure? Invaded? As if you were losing your identity?
Well that is exactly how the so-called ‘Other’ Nations felt when the Bush administration began riding their assess. Terrorism is not an Islamic or eastern concept, yeah right, as if the Russians were angels, and the Italians and Germans never terrorised or blew up Americans. Oh maybe because eastern people are colorful, do not speak English, have strong values, so they are the suckers. Boo. Ok. Obviously we have suffered a mass psychological crisis since 9/11 attacks. But the fact that those attacks were successful was something that the American Defence forces should be held accountable for.
So now America has elected a black president. This moment in time has certainly set the history for the world. A country which has lived through race-issues, the black and white divide, Obama not only represents the manifestation of what people thought would have been an impossible feat to achieve today because people’s tongues are still slured with racial prejudices but also a nation of young men and women who made it a point to vote and change the malignant condition of the American govenment and its dysfunctional policies. I can picture the world leaders probably sighing with relief right this minute (at least the not-so-asshole-ones). However when it comes to politics and political leaders, I have my own cynical veiws, because its like you are dealing with a Dr. Jekyl and Mr Hyde. So it would do us all (Americans and World Citizens) good to sit back and watch where things lead and make it a point to always question reality before accepting it blindly on face-value.
Death of Lovers
We shall have beds full of subtle perfumes,
Divans as deep as graves, and on the shelves
Will be strange flowers that blossomed for us
Under more beautiful heavens.
Using their dying flames emulously,
Our two hearts will be two immense torches
Which will reflect their double light
In our two souls, those twin mirrors.
Some evening made of rose and of mystical blue
A single flash will pass between us
Like a long sob, charged with farewells;
And later an Angel, setting the doors ajar,
Faithful and joyous, will come to revive
The tarnished mirrors, the extinguished flames.
By Charles Baudelaire
Ce soir, la lune rêve avec plus de paresse;
Ainsi qu’une beauté, sur de nombreux coussins,
Qui d’une main distraite et légère caresse
Avant de s’endormir le contour de ses seins,
Sur le dos satiné des molles avalanches,
Mourante, elle se livre aux longues pâmoisons,
Et promène ses yeux sur les visions blanches
Qui montent dans l’azur comme des floraisons.
Quand parfois sur ce globe, en sa langueur oisive,
Elle laisse filer une larme furtive,
Un poète pieux, ennemi du sommeil,
Dans le creux de sa main prend cette larme pâle,
Aux reflets irisés comme un fragment d’opale,
Et la met dans son coeur loin des yeux du soleil
****
The Moon more indolently dreams tonight
Than a fair women on her couch at rest,
Carressing, with a hand distraught and light,
Before she sleeps, the contour of her breast,
Upon her silken avalanche of down,
Dying she breathes a long and swooning sigh;
And watches the white visions past her flown,
Which rise like blossoms to the azure sky.
And when, at times, wrapped in her languor deep,
Earthward she lets a furtive tear-drop flow,
Some pious poet, enemy of sleep,
Takes in his hollow hand the tear of snow
Whence gleams of iris and of opal start,
And hides it from the Sun, deep in his heart.
Charles Baudelaire
It takes an empty sheet
for the fingers
to let go,
and the heart surrender,
A crazed attempt
before the storm,
to suddenly hide
and seek a shelter.
of things that do not matter
never mean what they seem,
from their deceiving prison
i seek escape
that my flesh be not devoured
by such damnation,
i do not seek a heaven
upon this inhuman earth
where the racing rage of evil
suppresses the gentle rose of love,
hence let us not veil our silences
or moments of pious reverie,
for those who sought God
beyond the holy scripture
the divine
spoke through their being.
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For more on Isaiah Chevrier visit http://www.rootsyrecords.com/HtmlFiles/LittleDjembefola.htm

The violin got all worked up, imploring
then suddenly burst into sobs,
so child-like
that the drum couldn’t stand it:
“All right, all right, all right!”
But then he got tired, couldn’t wait till the violin ended,
slipped out on the burning Kuznetsky
and took flight.
The orchestra looked on, chilly,
while the violin wept itself out
without reason
or rhyme,
and only somewhere,
a cymbal, silly,
kept clashing:
“What is it,
what’s all the racket about?”
And when the helicon,
brass-faced, sweaty,
hollared:
“Crazy!
Crybaby!
Be still!”
I staggered,
on to my feet getting,
and lumbered
over the horror-stuck music stands,
yelling,
“Good God”
why, I myself couldn’t tell;
then dashed, my arms round the wooden neck to fling:
“You know what, violin,
we’re awfully alike;
I too
always yell,
but can’t prove a thing!”
The musicains commented,
contemptuously smiling:
“Look at him-
come to his wooden-bride-
tee-hee!”
But I don’t care-
I’m a good guy-
“You know, what, violin,
let’s live together,
eh?”
“Universities are nurseries of orthodoxy. The university, while offering a nurturing environment, is not a creative one. It can’t be. That isn’t the function of higher education” – Rita Mae Brown
****
There is a stupid irony illustrated in the above quote, and the way I see it is that despite such a deep aversion towards institutionalized education and the way it perverts and distorts the essence of creativity in creative individuals, men and women are willing to go about submissively worshipping them as hallmarks of academic and personal success. What are the real milestones that determine a man’s progress much less his happiness?
While the systematized academia may succeed in implanting a methodological formulae of executing projects, mastering the structural nuances of any concept or idea, it neverthless fails very badly in helping these individuals to focus and nurture the core of their artistic faculties. So after the required period of fatal polination they depart from the hypnotized echoes of authority as thirsty for comprehension and recognition as they had first entered it.
Artists do not need this structure, they have no want for imposed ideas, or the dilapidated presence of mediocrity, all they ask for is an acknoweldgement of their voices. The voices which speak in different colors and elements because their convergence is a beautiful symphony of expression, an orchestra that is divinely led by inspiration…perhaps it is just my personal perspective, call it a psychological dilemma, that I find it absolutely impossible to comprehend how such institutions can contribute or help unless they are willing to step aside and allow these instinctual beings to grow on their own.
As reflective mediums, we tend to oscillate between our enviornments, family lives and our feelings, while the work we produce mirrors the amalgamation and synthesis of these characteristics on our inner-beings. The danger lies in generalizing people, and if you expect a teacher to instruct several students using a singular method or principle, which would hardly produce any positive results in the students, since they are going to be universally different and unique, it might as well be good for a student to seek a teacher on his own, independent of authoritarian representations of educational disciplines. Or better yet, be in charge of his own learning.
There are two kinds of salvation in this world:
The first one is where individuals
tormented by certain truths
seek the silent refuge
of a religious haven,
The second one is a little different,
here too the man bares his soul
not in the name of religion or truth
but rather to find a reason
for his indefinable existence.
In my map both these ways
lead to no particular destination
and the road besides being crooked
is based on false hopes,
The former immortalizes us in tombs
while the latter serves to cherish us in books,
Neverthless we are in both ways duped.
some talk about their children
some about their boyfriend or husband,
they discuss the weather
politics and fashion,
even the five-year-old knows the difference
between a democrat and a republican,
not three years ago i remember
i tore all the newspapers
swearing to never
bother with this shit again.
people and places will probably
never mean a thing,
i was born with nothing but my
skin,
and yet the impassive excesses of
men, women, children and dreams,
the tongues wag for more
and more
saliva drips.
That day when my mother lost herself
to the impassioned embrace of a man
who by virtue of the vows of marriage
possessed her body
in exchange of his resolute presence,
she relinquished herself
for the child who slowly grew
inside her womb
and prayed
to the God
who did not let her down.
Brrrrrrrr I am hungry
But why am I writing that here …..!!?
Yah. No poems for today. I am learning all the words under the A alphabet from the thesaurus. And some French grammar.
and downloading music
scratching my head
biting my lip.

I received my first rejection letter in the mail today (and anyone who’s been-there-and-done-that is reading this, will probably know what I am talking about). If not – - go smoke a ciggerrate and don’t come back until I write a new post (I don’t have my spellchecker on right now and I spelled ciggerrate wrong, damn linguists, they had to make vocabulary so complicated). Anyway to get on with the rant, I also received a rejection ‘email’ this morning, and they were considerate enough to reply promptly. Well this one was a two-liner, polite and concise, and the interpretation in my terminology: dear poet, we have enough bastardios sending us their work samples, however your work does not contribute in anyway to our schizophrenic mélange, so thank you for the attempt, and while we wish you luck in your future ravages, we secretly hope that you will choke on your next roast beef sandwich. There is nothing like a choking poet’s last words.
i would love to crack open your skull
with a sharp gleaming kitchen knife,
for I deem your rotting brain to be
in dire need of a thorough examination
perchance the annals of history observe
the sickening branch, the crooked stuff,
as pathetic, the pathetic engorged spleen
unfixed in its nature or purpose purports
the gateway of hell, shallow, how utterly
lackluster! i will cut off these fingers
halfway through their joints, the dripping
red stain raspberry thick, sticky
oozing, observe the depletion as I choke
on anger, my impenetrable voice,
darling i cannot call you my blood,
adulterated, diluted, over-polluted breathing
heart, lub-dub, lub-dub, the smashed bullet
protruding the left-ventricle refusing incursion,
the sun, its fiery burn, my soul cries out caught
between the barbed wires with which you guard
your damnable fortress, inside a prison called curse,
i cannot call you my blood, my blood nor can I call you
but force this anger to separate you from my earth.
I was skeptical about reading this book, firstly because of its over-used theme of Asian immigrants trying to discover or re-invent their identities in western countries, secondly, literature balanced solely on cultural precepts does not sit well with me. It’s like cheating the reader. However to get on with it, The Namesake begins with a young man in his early twenties, who is of a Bengali (Indian) descent. He is very fond of books and one day while traveling on a train to visit his grandfather, he meets with a tragic accident. He is miraculously saved, when someone discovers him moving among the debris and rubble of the aftermath, and his hand clutching a copy of The Raincoat by Nikolai Gogol. The presence of this author’s book at that particular junction of Ashoke’s rescue leaves a deep impact on his psyche that eventually ends up shaping the rest of the novel.
After the accident he decides to leave the country and settle as far away as possible from all things that might be reminiscent of the incident which left him mentally and emotionally scarred. His parents and the many siblings, devastated by his decision, reluctantly bid him farewell, as he leaves with his newly wed bride (a union made possible through a formal arrangement by his family) and we find Ashoke, a doctoral student at MIT settling down in a tiny apartment with his wife, Ashima in America. This brings about a shift in Ashima’s experiences as well as the birth of their first son, whom they end up naming as Gogol. This young man grows up, ok, to make a long story short, he has a sister, and both of them struggle to fit in the society, schools and friends, as second generation American-Indians, rebelling against their heritage. The book follows through Gogol’s initial dislike of his name and so forth. But, I’d rather not spoil it for you, so go read the book!
i cannot count how many days i spent
in unruly discontent that somehow
the art i longed to perfect mistook my
intent. the gracious muse who came and went
as his highness pleased, goddamn such freedom,
did he like to play hide and seek? or some
other silly game to startle and tease
nervous poets who struggled to graft their
thoughts on a frightening old man’s hull also
known as history. crumbling yellow skin,
the perennial stubble, accusative of
our insipid philanthropy, the muse
loved to dance upon the throne of time thus
challenging my creative feats. a cow with
no teats, or a violin minus the string,
synonymous to my frustration a
window overlooking desperation.
what am i? but valueless currency
wherewith the trader falls bartering his
dreams. the poet; ever shallow, wooden
-legged corpse, patch-eyed, a caribbean
pirate in search of fresh meat. woe to these
elegies. but afore i scatter the soil
and close the book shall i not utter those
farewell words? readers to whom we write with-
-out a cause possessed by invisible
demons and wars, this thankless employment
that doesn’t feed the belly nor pay bills of
habitation, whatever in this world,
did induce us fools to such detraction?
In the middle of the night
I push away the blanket covering my body
Run a hand through my tangled hair
And get out of bed.
It is late enough for me to be myself
Prowl around the dark house,
I turn on the light in the kitchen
And heat myself a glass of milk,
I am hungry,
But not enough to want to eat
Just one of those days…
/or nights.
I can see a constellation of stars outside
In the dim darkness,
The snow is frozen everywhere
Some days it rains and that makes it dirtier
And messier to go out,
One hand under the chin
I stare at my reflection a little sleepily
The window already fogged with the warm
breath.
I turn to God
As I have many days
To talk about things
I wouldn’t with anyone.
Congesting the door to its frame
And I have to pull harder
To get it to open.
A treacherous draft hits my face
And I gasp with the impact,
There are chores to be done,
But my mind is already elsewhere,
I dig my heels into the snow tentatively
Re-checking my pocket for the grocery list
Things I write down because I occasionally
Forget where I am and what I am supposed
To be doing.
There is an unhappiness that surrounds
People with things;
Material, immobile to their consciousness,
The noose around the neck
Tightening its grip,
I have stopped counting days
By man-made calendars
Or watches that tick out of semblance,
For I refuse the dominion of a life
That will end with death,
My brother drives
Lost in thoughts somewhere,
I look at him
And think of the escape
We all attempt at least once or twice
No matter how shoddy the plan.
snow
breaking apart
descending upon us
crystal powder, floating butterfly
flurries
dancing
midnight dreamer
behold halting elegance
breathing desire convulse under
motion
A deep flood enters there.
Unfolding petal stirs,
This dream into the light.
A loud bell resounds.
Laughter is heard in the streets,
It is half-past nine.
With my singular vision, I should like to overtake the world. Except my energy levels are occasionally low and need to be recharged like an expired battery, which is prone to dying on the user before its estimated time that I think perhaps NOT.
Yet, human batteries cannot be replaced, unless you have auto-part shops where God’s messengers sit and wait upon us tired servants, wary of retardom and excessive verbose, preferring the martyrdom of dumbness to the much exploited and misused lingual facility.
Some days everything fails but the quiet darkness of my room.
The first couple of pages of Swann’s Way can be very aggravating to a reader. Proust begins by recounting the early impressions of the boy-narrator at Combray, where his family usually spent their summer holidays away from the city life. The reader comprehends an unusual amount of affection and clinginess of the narrator towards his mother, whose love he vies but is afraid to be found out by his father and his grandmother, all of whom are over-protective of him, choosing to confine him indoors with some book for most days rather than letting him venture out and mingle with others.
As I continued reading, I observed how the recapitulation of the senses, metaphorically and literally, continues to be a recurring theme of Proust’s work, which in a quiet semblance fogs over the reader as well, and one begins to feel like they are re-living someone’s life by observing them from their own sitting room or lawn. You do not feel like an outsider yet there exists a camouflage of unreality dividing the past and the present.
Proust has a way of being excessive in his narration, that is from the magnanimity of his descriptive sentences to their very length, which induces the reader to consider how serious could such an author have been about his craft. What do I think? I think he was very serious. Perhaps up to a degree to have disregarded a normal lifestyle.
Another observation the reader might glean would be about Proust’s badly structured storyline. It is not so much a book about characters and their lives, as much as about portraying the narrator’s experiences, memories and their dynamics. As a fiction writer he most likely fails, but as a linguist, recorder of history and lives, he succeeds. It might be an absolute waste of time to ever attempt reading the entire seven volumes of The Remembrance of Things Past, and you are most likely to curse the author midway through the process, yet ironically after completing Swann’s Way, I came to the conclusion that the experience had been worthwhile. It had been a feast of the senses no doubt.
The book is simply not one which would revolve around a love affair that ensued between these two, it is much more than that. The issues raised here concern the legitimacy of morality, it’s accountability on human actions and whether a person should be considered responsible for things done or acted upon in ignorance of their actual consequences. Do we live inside the box and ignore all that exists outside or let go of conventions? It was not a book that I would read on random and enjoy because the language is translated, secondly prose loses it’s orignal intended effect when clothed in another tongue, thirdly the narration is at times clinical; lacking richness. Like the white-washed walls of an empty house the words are often stark and devoid of warmth. The Reader reads like a holocaust report, by a living corpse, that was burned by the consequences of an unconventional love affair and swallowed by the vaccume of moral guilt.
this song brings me back…
Oooh, love…
I get so lost, sometimes
Days pass, and this emptiness fills my heart
When I want to run away
I drive off in my car
But whichever way I go
I come back to the place you are
And all my instincts, they return
And this grand facade, so soon will burn
Without a noise, and without my pride
I reach out from the inside, ooh oooh whoah
In your eyes, the light, the heat
I am complete
I see the doorway to a thousand churches
the resolution through all my the fruitless searches
Oh I see the light I see the heat
Oh, I want to be that complete
I want to touch the light, the heat, I see in your eyes
Love,
I don’t like to see so much pain
So much wasted, and these moments keep slipping away
I get so tired of working so hard for my survival
I look to the time with you to keep me awake and alive
And all my instincts, they return
And this grand facade, so soon will burn
Without a noise, and without my pride
I reach out from the inside, ooh oooh whoah
In your eyes, the light, the heat
I am complete
I see the doorway to a thousand churches
the resolution of all my fruitless searches
Oh, I see the light I see the heat
Oh, I want to be that complete
I want to touch the light, the heat I see in your eyes
something beautiful is happening
the snow is changing color
above the earth’s ripening sheen,
and a dew moistened flower bursts
into a myraid colored dream.
overwhelmed
he held my wrist
and kissed it
with lips shaped
like molten perfume,
and indolent desire
whispered, “I have been exhumed.”
the afternoon air was suspended
over us with dust like a canopy
intersecting the narrow divide
of wakefulness and thirst,
somewhere echoed the distant
shouts of children playing
and a phone incessantly rang
unanswered,
hellishly bothered,
I tore up the fancy
that I had thereto made up,
child of imagination
what rubbish this boredom
oft infidelity renders.



Insignificant without the other.
ah finally, I have the right title, idea and desire, to write.
i am not sure whether to celebrate or mourn the emotional slogging that lies ahead of me.
–
*(Making Feet and Hands by Benjamin Peret)
In the long journey out of the self,
There are many detours, washed-out interrupted raw places
Where the shale slides dangerously
And the back wheels hang almost over the edge
At the sudden veering, the moment of turning.
Better to hug close, wary of rubble and falling stones.
The arroyo cracking the road, the wind-bitten buttes, the canyons,
Creeks swollen in midsummer from the flash-flood roaring into the narrow valley.
Reeds beaten flat by wind and rain,
Grey from the long winter, burnt at the base in late summer.
– Or the path narrowing,
Winding upward toward the stream with its sharp stones,
The upland of alder and birchtrees,
Through the swamp alive with quicksand,
The way blocked at last by a fallen fir-tree,
The thickets darkening,
The ravines ugly.
bitch. cunt. I am so mad right now.
There is a rain
There is the shadow,
You flit between these two
Like a clock hand
In limbo.
–
*Cascade
![]()
Main Entry: nos·tal·gia
Pronunciation: \nä-ˈstal-jə, nə- also nȯ-, nō-; nə-ˈstäl-\
Function: noun
Etymology: New Latin, from Greek nostos return home + New Latin -algia; akin to Greek neisthai to return, Old English genesan to survive, Sanskrit nasate he approaches
Date: 1729
1: the state of being homesick : homesickness
2: a wistful or excessively sentimental yearning for return to or of some past period or irrecoverable condition ; also : something that evokes nostalgia
as mad as mad as
mad can be
the sky
that dips its
hands
into the firmaments.
it breaks the lie
beyond the die
of shadow and dream
like a blue smudge
of an irrediscent flame.
the dance, the step
the whirling
of the dervish
given over by the pain
he walks and talks
unconscious of his name.
Speak not of guilt, speak not of responsibility. When the Regiment of the Senses parades by, with music, and with banners; when the senses shiver and shudder, it is only a fool and and an irreverent person that will keep his distance, who will not embrace the good cause, marching towards the conquest of pleasures and passions.
All of morality’s laws – poorly understood and applied – are nil and cannot stand even for a moment, when the Regiment of the Senses parades by, with music, and with banners.
Do not permit any shadowy virtue to hold you back. Do not believe that any obligation binds you. Your duty is to give in, to always give in to Desires, these most perfect creatures of the perfect gods. Your duty is to enlist as a faithful footman, with simplicity of heart, when the Regiment of the Senses parades by, with music, and with banners.
Do not confine yourself at home, misleading yourself with theories of justice, with the preconceptions of reward, held by an imperfect society. Do not say, Such is my toil’s worth and such is my due to savor. Just as life is an inheritance, and you did nothing to earn it as a recompense, so should Sensual Pleasure be. Do not shut yourself at home; but keep the windows open, open wide, so as to hear the first sound of the passing of the soldiers, when the Regiment of the Senses arrives, with music, and with banners.
Do not be deceived by the blasphemers who tell you that the service is dangerous and laborious. The service of sensual pleasure is a constant joy. It does exhaust you, but it exhausts you with inebriations sublime. And finally, when you collapse in the street, even then your fortune is enviable. When your funeral will pass by, the Forms to which your desires gave shape will shower lilacs and white roses upon your coffin, young Olympian Gods will bear you on their shoulders, and you will be buried in the Cemetery of the Ideal, where the mausoleums of poetry gleam conspicuously white.
(Cavafy)
I think I am ready to start school again, but maybe….after I have some more shit cleared out of the way. Then I shall serve my purpose of being on this earth.

my blog shall be on a short hiatus. but i will be back here when it begins to rain and i need a roof.
Someday when I am tired of rebelling
I will let my hair grow
And you can play with it
Lying by my side
My head on the pillow
The sun kissing our sleepy eyes,
Someday when I am tired of hiding
I will tell you about the things I love
Unafraid of their lies,
I will stop making holes in my heart
And you can hold your hand up
To stop the wasting of a life.
Someday the leaves will stop falling
When the wind gets tired
Of the big giant trees that cry,
And love will be what it is meant to be
A song, a whisper, a sigh.
A feeling of complete randomness often strikes me and I wonder what I am doing here in this country, do I even belong here? Will I ever feel at home? Forever stuck in a long meaningless journey, the likeness of sitting in a train, a train that has been journeying through a tunnel. Of being surrounded by idiots, I will not dispute, nor the difficulty in being so often misunderstood that I fear speech itself. The surprise of discovering infinite digressions of intelligence and character, the truth that no matter how much you try some people do not deserve what they have, that somehow life does not make any sense, and you have been cheated by God, because he had his fun and is probably laughing now.
I know for a fact that I will move on, I do not succumb to meaningless distractions. I make peace with myself before I sleep every day, I forgive myself for not falling down to other people’s shallow levels, I pat my back for following my own conscience, and preserving my sanctity and sanity, but I will move on, and leave everyone and everything behind. The question is, what will this time spent measure up to, an experience or an experiment? Or years lost in extravagance?

to think of how much they had loved
through the fights
arguments and heated words,
like the aftermath of a holocaust
clinging to the remains
despite the ugliness and hurt,
to think that i might have learned
how not to love
how not to hurt
how not to touch.
but oh like an island
lost in myself
amidst the distant cooing
of birds,
the rain, cloud, and earth.
to think that I might have learned
something from their song of love.

on a night like this
when the right words won’t
come,
a poem
breaks away from the tree
of silence
and falls down
into an accumulated pile
of unspoken dreams.
the music
of the hour
stains
my fingertips.

if you haven’t learned by doing
if you haven’t burned by touching
by the giving
and the forgiving,
negating
the very means
of your existence,
holding on to that aching piece of flesh
on the left side of your breast
afraid to lose,
you have gone nowhere
nowhere that i know,
irrespective of the distance
traversed by your dusty shoes.
i pray because i am imperfect.
i pray for the hate
within myself,
to gauge a flood
that may never rest.
But nothing is important
when it comes to love,
and neither you
nor I
can ever come between
things that
will
one day
overtake us,
empower
and break
who we are
or
could be.
Four hours of sleep
and I am
good to go.

The whole point of existing, of coming into being, in this world – is to be able to do whatever you please. Not to sound too incredulous, the old age rule should however apply i.e. do unto others as you would do unto you. That moral issue cleared from the way, we must all, then like curious children, be happy (& devoid of conscience*).
–
*(this rule does not apply to sadists & masochists)
The price of freedom is bought by poverty,
while security entails slavery.
some days i face the blank in the wall
in my life,
and I smash the shadow
teasing on the glass
smothering the light.
I am sitting in my room. The window is open and the smell of freshly cut grass wafts in. I can hear him, over my earphones, engaged in a meaningless argument with my mother. The neon blue paint on my left index finger is chipping. My dad is arguing about something on the phone as Carla Bruni gets louder. A brainless grey butterfly, the size of my thumb, adds the special effects by hitting herself incessantly from the outside of the window. I look to my left and see him standing at the door. Laughter and pretentious mockery escaping his eyes.
if you were my bootstrap
i’d tie you once
and then twice,
cross you up
make a nice design,
if you were my bootstrap.
we would
stay together
through rain or mud,
and if i lost
the desire to fight
i would give my feet a shake
and we’d pull through
just fine.
it all began with a bet, a game
each of us were blindfolded,
twirled in a dance
and left alone
to chance.
allergy
allergy
allergy
If poetry is an eruption
volcanic and unsurpassable
caused by a build-up
of intense heat and
concentrated pressure,
then, it is the duty of the citizens
who guard the prison gates
of love,
to reach for cover
until the smoke clears.
half-leaning he held the palm
of my left hand,
and with a mock frown
peered into the zigzagging lines
crossing over the hills and valleys
dark
light
spidery,
the life line
and
the love line,
“there will be no children,
at least none that I can see,”
I know a joke
when I hear one,
the rain had stopped beating
on the roof,
I shifted in my chair
crossed and uncrossed my legs,
fiddling with a stray thread
on the hem of my yellow cotton skirt,
nervously chewing my lips.
unsuccessful in the human cacophony
of artifice,
I might have been
an ant or a bird in my past life,
but
who cares?
some of us are better off
on this side of the street.
I laughed
and said good bye,
pretending the tea had not been
so bitter
and the porcelain cup
an ugly red.
if you roll the dice
and it’s a two,
if you roll it again
and it’s a four,
we make a hundred today
minus the drinks
and the bets.
so…
i was about to write something,
but
i have nothing to say.
you know how it is with women,
they say a thing
and mean another,
and you know how it is
with men,
they say
nothing at all.
then there are
some children
wise enough
to stop growing
before the balloon
is stretched out,
in a field of thorns.
the woman who longed
for something greater
than herself,
vowed to refrain
from the oblique nature
of sex,
sat upon a throne
of emptiness
ruminating
the earth
from a broken piece
of
an hourglass.
bitter, bitter,
there will be no end to it.
the ant scurries up
the hill,
leaving a trail
of work
unfinished.
the grasshopper rolls
and jumps on the river bank,
“sit up, sit up,
do not frighten the mice,”
and the curious cow
shoo’s a mosquito
then blanches
into death.
O hour of my muse: why do you leave me,
Wounding me by the wingbeats of your flight?
Alone: what shall I use my mouth to utter?
How shall I pass my days? And how my nights?
I have no one to love. I have no home.
There is no center to sustain my life.
All things to which I give myself grow rich
and leave me spent, impoverished, alone.
Translated by Albert Ernest Flemmin
Suppose your whole life
you went your way, belonging
to no place, no school, using
your wits to gainsay every trace
of influence or imitation, wiping
out anything that reminded you
of anything.
You knew how
browbeating memory, the rule
of the past, can be, how easily
it thrives in wiping out the new
since seen for the first time
only.
So you kept yourself
to yourself, doing only chores
you had to to survive.
Unknown to anyone–almost,
for its engrossment, to yourself–
you gave yourself to your work.
With you gone they found it
something unspeakably, if not
unbearably, your own. No matter
how they tried they could not
digest it into a name, a scheme,
an explanation.
Except for this
they might not have been sure
you’d lived at all. But this,
unblinking, brutal in its
authority, made it impossible
for them to deny it or to call
you a minor this, a crazy that,
eccentric at best for his battle,
rejecting the main stream.
They
might turn away; they could not
altogether still the whispering
fear that, after all, that stream,
notwithstanding its deflections,
its passages long underground,
had gone this way. Daily now
the stream grows louder.
current status: sleep deprived
“The problems that exist in the world today cannot be solved by the level of thinking that created them.”
- Albert Einstein (1879-1955)
maybe someday i will stop badgering myself. get on wid it…life is too short
Love is an old dog,
too loyal to leave
too tired to bark
broken he lies
by my side,
while I think of
the good times.
in whose tired arms would you seek repose
if sleep was a bird and this lock a key
and the arrows flew as they were shot
pity those arms that flung the gasping heart,
in whose tired arms would you seek repose
if not in the gentle dying mirth of her laughter
and the receding shadow of a sunburned hour
woe to the ill-begotten traveler, long is the winding road,
will the arms as an embrace ought to
nestle a tide moving towards its shore
that set its monumental gesture
if not to the ill-begotten traveler,
receding mirth of her questioning laughter
settle down a floating feather, in this darkening room.

He has afflicted you from every direction
in order to pull you back to the Directionless.
Rumi

Au milieu d’une île étonnante
Que ses membres traversent
Elle vit d’un monde ébloui.
La chair que l’on montre aux curieux
Attend là comme les récoltes
La chute sur les rives.
En attendant pour voir plus loin
Les yeux plus grands ouverts sous le vent de ses mains
Elle imagine que l’horizon a pour elle denoué sa ceinture.
—
THE BIG UNINHABITABLE HOUSE
In the middle of an astonishing island
That her limbs travel
She is nourished by a dazzled world.
The flesh one shows off to the curious
Waits there like harvests
To fall on the riverbanks.
Knowing she’ll see further
Her eyes wider in the wind of her hands
She imagines the horizon has unbuckled its belt for her.
tr. Nancy Kline
1
من بين عشرين جبلاً ثلجياً
الشيء الوحيد الذي يتحرّك
عين الشحرور عندما ترمش
2
كان لدي ثلاثة عقول
مثل شجَرةٍ
عليها ثلاثة شحارير
3
حامَ الشحرور في دوامة ريح خريفيّة
كانَ جُزءاً صغيراً من مسرحية صّامتة
4
رجلٌ وامرأة
واحِد
رجَلٌ و امرأةٌ و شحرور
واحِد
5
لا أعرف أيّهما أفضّل
جمال المجاز
أم جمال التوْريَة
الشحرورُ يُصفّر
أم ماً بعد ذلك
6
رُقاقات ثلج على امتداد النّافذةَ الطويلة
تشكّل نقش بربريّ في الزجاج
ظلُّ الشّحرور
يتخلل المشهد جيئة وذهاباً
المَزاجُ
يقتفي في الظّل
سبباً مُبهَماً
7
أوه يارجالَ هادام الناحلين
لماذا تتخيّلون طيوراً ذهبيّة؟
ألا ترونَ كيف أنّ الشّحرور
يحور ويدور حول قدمي
المرأة القريبة منك؟
8
أعرفُ لهجات نيّرة سامية
إيقاعات لايمكن مقاومتها؛
لكنّني أعرفُ أيضاً
أن الشّحرورَ له علاقة بذلك
9
عندَما غاب الشّحرورُ عن النّظر
ترك أثراً على الحافّة
لواحدةٍ من الدوائر العديدة
10
عندَ رؤيةِ الشّحرور
يُحلّقُ في ضوءٍ أخضَر
حتّى الأصوات العذبة
من ماخور الداعِرات
تبكين بحرقة لذلك
11
ركبَ فوق كونّيكتيكت
في مركب زجاجي
بمجرّد
مانفد الى قلبه الخوف
تماماً في تلك اللحظة أخطأ
ظِلّ حاشيته
لكل الشحارير
12
النهرُ يتحرّك
الشّحرورُ لابدّ وأنّه يحلّق
13
كانت أمسية طيلة الظهيرة
الثلوج تتساقط
و كانت تبدو أنها
ستظل تتساقط
الشحرور يقبع
على فرع شجرة الأرز
بما أنكم تسألون
فلا أتذكّر معظم الأيام
أسير في لباسي
لا أشعرُ بزخم الرّحيل
حينها يعود ذاك الشّبق الذي لا يسمّى
حتّى و إن لم يكن لدي شيءٌ ضد الحياة
فأنا أعرف جيّدا شفير الأعشاب التي تذكرون
ذاك الأثاث الذي وضعتم
تحت حرقة الشمس
غير أنّ الانتحارات لها لغتها الخاصّة
تماماً مثل النجّار
يريد أن يعرف كيف يستخدم الأدوات
لكنّه لم يسأل مطلقاً
لماذا يبني
لمرّتين وبهدوء أعلنتُ نَفْسي
امتلكت العدُوْ, ابتلعت العُدو
وعلى مَرْكبه أخذت معي سِحْره
وفي هذه الطريق، م
مثقلة و مُستغرقة
أدفأ من الزيت أو الماء
أنا قد استرحت
وسال من فوهة فمي
لعاب
لم أفكّر في جسدي عندَ وخزة الإبرة
حتّى قرنيّتي وما بقي في من بَوْل
اختفى
الانتحارات كانت قد خانت الجسَد مسبقاً
اليافعون لا يموتون في العادة
غير أنّهم يُبهرون
لا يستطيعون نسيان لذّة مُخدّر
حتّى أنّهم ينظرون للأطفال
ويبتسمون
أن تَسحَقَ كلّ تلك الحياة
تحت لسانك
ذلك بحد ذاته
يستحيلُ عاطفة
ستقول، موت لعَظْمةٍ
يائسةٍ ومُجرّحة
ومع ذلك ستنتظرني هي
عاماً بعد عام
لأمحو هكذا برقّةٍ جُرْحاً قديماً
لأفرّغ شهقتي من سجنها البائس
نتكافأ هنالك
الانتحارات تلتقي أحياناً
نحتدّ عند فاكهة و قمر مفقوء
تاركين كِسرةَ الخبز
التي أخطأتها قبلاتهم
تاركين صفحةَ كتاب مفتوحة
مُهْملة
و سمّاعة هاتف معلّقَة
لشيء لم يُلفظ بعد
أمّا الحُبْ، أيّاً يكُن ليسَ إلاّ وبـاء
O come beloved and
for thy lover’s sake
untangle this contorted,
uncertain affair
Fill our cup with wine,
may it be sour or sweet
Before the potter fashion our
ashes and dust into hollow cups
with silent, parched lips.
by Omar Khayyam
All, thou gentle one, lies embraced in thy kingdom; the graybeard
Back to the days of his youth, childish and child-like, returns.






It is funny when I see teenagers act like they know the shit. Times have changed. Or must I say we have. Since my antipathy towards this entity that requires clocks and hands, or the crutch of the sun’s shadow to measure its effluence upon our progress or decline, has been an arbitrary ass-wipe concept in which I have refused to believe in. I simply do not understand why we function the way we do. Where must we go to that we aren’t in that place already? Adults ride their children’s assess as soon as the poor innocent creatures begin to develop their comprehension abilities, to be someone, go somewhere, whereas I who lack the necessary spatial skills for figuring out my way through these geographical nuisances see no point in the stupid discussion. I am going to sit here, (maybe under a tree in my backyard) and stay there until the next tsunami arrives. Will that satisfy our stupid mortal dilemma of existence? 




















